Buffalo Moon...look at what I almost missed.

Buffalo Moon played Whistler Sunday 18 March. Where do I start with this newly found, almost lost treasure from Minnesota. I caught the last song and decided to get the CDs anyway. I kinda liked what I saw on their website. I naturally distrust my first impressions of....you know anything. I was barely forming one from this last song they were playing. That's where the kinda comes in. It gives me an easy way out and apathy an easy way in. When it works out it keeps me from buying music I won't like in the long run, and so saving me money...well not really 'cause I end up going to Village Pizza on Chicago Ave and Western. But I lingered in Whistler too long and took pictures of the band as they performed. I got the CD's Selva Surreal and Wetsuit, so their went my pizza money but this music is for ever. I'm eternally happy even in this bleakest, poorest state. A lot of music have that time-release mechanism. I'm ok with that, but something has to hook you. Something has to go straight to the veins. I played Selva as I drove to Neo and was immediately struck by "Amores Perros" sung in spanish by Karen Freire. And not the common Mexican spanish that my ears are used to. Her pronunciation was slightly different almost Argentine to me. Reminded me of Aterciopelados from Colombia, and early Maldita Vecindad from Mexico, only with a female singer, remember them? So they got that slight tropical sweat to them. They even got songs in Portuguese. No matter where your mood is at this song will bring out the sun inside you. Like you are in this indie flick and you are the protagonist that discovers all this music...like Steve Coogan in 24 Hour Party People. Even the names of the songs are brilliant and just pull you in, like Money, Pussy, Weed on Wetsuit. On my ipod the CD up and called itself The Water Colors. There is a lot more wonder to discover concentrated on the two CD's I got. All I can say here in so many words is that I'm glad to have encountered them, and there is much more to like in them.

It was still early as I drove to Neo as the wonder of the songs I was hearing washed over and made me turn the car around to see if I can tell them Buffalo Moon how wonderful it was to discover this music and how happy I was to be an archive for it. They were still talking to people around them, and I did not have the gall to interrupt and gush this praise. Sometimes it's best to compose yourself for later. I've embarrassed myself before. You trip over your words while you insert yourself into the conversation. You always want to take that moment back. So I shrunk away. What I want to say can be better written on their facebook page.

Zig

Staring Problem at Pancho....Township.

Staring Problem On Tour played the renamed Township once called Pancho's. It was Sunday night 11 March, a stop on a longer tour from midwest to mid-south. This one set you somehow frame in your memory for all them little moments, almost forgetting this is a stop on a tour. They gotta repeat this a few times, and feel the wear of the road between the stops. Performing is just this thing they do after they spend most of the time driving from town to town.

They are from Carbondale, Il. The center of the tour. Two stops north Chicago, Milwaukee. And in the other direction are Nashville and St. Louis. I've never been to Carbondale. And now I'm curious for what comes from there, passes through there. Illinois is huge with many distinct local music scenes. Staring Problem are midwest specific, "beach goth". We gotta make due with what we got. I mean....Lake Michigan has beaches too like in Chicago's deep south side, Calumet Park....I think I know where they are going with this tag beach goth. The beach means relaxation, it's a place to be at ease. they are dark bassy and casual in appearance and delivery. So they don't go nuts with the make up, and corsets....heels....I'll stop. To describe them as relaxed does not mean they are slow. The bass naturally drives the muscle car fast. They are casual but alert form of energy.

Township had amassed a big, porous crowd for Staring Problem, and not very goth specific. I'm only saying 'cause Staring Problem have street cred in that department. They seem to lean more dark post-punk than goth rock, and with no keyboard in sight. They are strictly guitar, bass, drums. It's not unreasonable to want to see a Bauhaus T-shirt at least. But there was no such easy read of the audience that night. So what are the little moments? Hmm, the bass player broke a string exactly when they were ending that last song.

Zig

Bone And Bell

I saw her once it seems last year or longer and missed the rest of her shows after that until finally again at Quenchers Saturday 3 March. There is something sweet yet painful about the slight haunt of "Flying, Falling, Crawling" that draws me. The cathartic kick the exploration provides also leaves room for that underdog possibility. Ever since seeing Bone And Bell that one time I always looked for that elusive next time. I don't get enough out of seeing them once. To see them multiple times ensures their existence and enshrines them in my eyes. Music is the type of culture that is always evolving from one performance to the next. I say that a lot, sorry. It's a given, yes? And so I go see B&B go from sweet/pained to muscular and bluesy. Left the ukulele at home, and brought instead a full crew of musicians. So what did Ms Heather play if not the uke? Heather plays guitar and keyboard, did some of her old songs....."old". When I say old I mean from her EP L*O*O*M which can be downloaded for free.

I read the press kit on the website. Skimming through you catch what makes you read with greater intensity. When you put Neko Case and Twin Peaks in the same sentence in describing how an artist sounds I will listen. Hell, they had me when they mentioned Sharon Van Etten. Her music is known to be sad/sweet. On this live set Bone And Bell explored it's hardened bluesy shadow to a full Quencher crowd. Most of the set was new. Even the older songs were fleshed out with more instruments,...drums, guitar, bass. The strength behind the sweet and the weird is what B&B displayed. So that Twin Peaks reference is spot on. It came to me as a total surprise because I went for the old set, the sweet/sad yet weird and cool like Julee Cruise. You know Amy Mann took up boxing, and I think....just follow...it helps her confidence while performing and metaphorically this is the direction B&B with it's live songs. Hell she named a song "Rage" and it's massive. Imagine what Man Is Man is naturally and this is part of the turf visited on this live gig. Whales and Minutes played later but Heather amassed a massive audience. The set Caspian Sea

I am a lion

Sweet Queen Regina

Sisyphus' Fist

The Lights

Tiny Hands

4 Horses

Countin Pennies

Of wire Of words

Rage

Words Left Unspoken

It's exactly the side you want from an artist that drifts you towards the sad with that wonder for it's haunting. The leather wearing dark side. The side that learns to box.

Zig

The Sentinels

The Sentinels I saw this past Thusday 1 March at Darkroom to a small audience, but guess who was in that audience? Dan "The Fan" was there! He's friends with the band. I believe this is the first time I mention him here but he has been to many, many shows that I go to. It's a common sight to see Dan bouncing around to The Dials, Walking Bicycles, White Mystery, etc. And he would work up a sweat dancing. After a long spell of no sightings of him in any shows, there he was talking to the lead singer, before the show.....it's nice to make it to a show on time. It has an effect when your audience is small, perhaps twenty spread about the place. Only Dan and I were right in front. Perhaps a few others as well. But most just sat in the booths and tables in the back. Still they were there and it's hard to believe that they just wandered in. It was still hard to read them. I can't completely call them indifferent because there they are. Some among them had to have been there for Sentinels just as I. But small audience and....it hurts. The lovely Ms Liz Elle as the voice of the band, with her glasses on looks intimidating as an Agent from The Matrix. Put a suit on her and I'm running...after the set is over of course. Having said that I don't mean to take the piss out of her. It's me noting the power she holds in her stage presence. And while we are at it, The Matrix can use more female agents!

So they got a CD out Music Of The Pleistocene and it is indeed growing on me. Saracen Smile, Widows' Weeds are songs that pop out to me, for reasons that elude me. I find it hard to describe them in relation to what I normally post. I have that problem with some bands that I like. They are ....dark. I know, everything Zig likes is dark. Sentinels self-describe as post-punk that is somewhere between PJ Harvey and The Fall. I'm familiar with La PJ, cool. Not so much with The Fall. That's a good start right? But a lot of bands begin with that, PJ Harvey,(having said that you would not believe how many people say "who's that?" when I mention PJ). And it was not what popped in my head when listening to The Sentinels. Having said that I understand that it's a common enough point of comparison, like a common language. You speak PJ? Cool, me too, and so do Sentinels. You will notice a drift in their dialect but that's ok. You know who else they like? We Are Hex....it's on their Facebook page! Anyway, I think they are all vets of the local music culture. Liz Elle the lead singer has sung in other bands. This next point at least for me applies to all new bands I see that are composed by music vets. The music they produce ....sounds older, more mature. I feel included in the audience they are going after. That is important to me at 39.

Zig

Kodacrome in Chicago

Kodacrome I saw with Panda Riot and Magic Key at Hideout. They are from Brooklyn,NY. They have an EP coming out 27? March 2012. They got a song available to download for free. The two local bands I've seen often. With them it's the accumulation of many performances, the good and the bad. I see their moments in a greater continuum. When the music is close to you, see it often, and know your local culture. When they come from somewhere else they inevitably draw attention to that great other. I have never been to Brooklyn. Kodarome is a point of attraction that draws me there. If I was living there I suppose, (or fantasize about) the local music pantheon there. Perhaps it would include School Of Seven Bells, Eula, and a whole bunch of bands from Projekt, oh and Slowdance. Brooklyn is well represented. Sorry, that dog took a long walk. Wait, the point of all that is when they are not from here, touring is hard and so you soak up that iconic moment.

So, right, Kodacrome provided that separate unexpected high that would have otherwise been strictly about the familiar. This is about seeing them live after Magic Key and before Panda Riot. Kodacrome actually saw the Hideout audience in it's bulk, and thinned somewhat after. As if most of them saw who they liked. I saw the entire K set. On this night I saw them with my cousin and brother-in-law. It feels nice to enter a place in a group. I so hyped this show to them. I wanted to take them to something real and local. Hideout works, right? So for this night it's significance was felt in its unexpected moments as well as the familiar. Newly placed on my radar was Kodacrome and I took in every moment I can. The following thoughts are to document this once -in-a-long-orbit, moment. In the absence of actually seeing a lot of their gigs I must settle for seeing the documented pics and video I got of one gig. I'm trying to document the unfamiliar. Elissa Pociask plays the synth and sings. She was quite the sight in blue and heels. If you like Golden Filter, Phantogram, Austra and Anika, you already like Kodacrome. It's no stretch for me to imagine a perfect goth night with songs from these bands. We are all about dancing to this stuff. K have a resonant yet unusual take on electronic synth pop. They got muscle that saves them from the frailties of pop....they sound resonant but not tired and predictable. Hmmmm, bullshit, and more fucking pretentious bullshit. I just love this band.

I was sold on them before I found parking. Hearing them live you can almost anticipate how they will sound on CD. The anticipation stems from knowing that they will tweek it, and seeing how. That sets you up for when you hear the download of Modern Man later. Hell, how many ways can I say I like this band a lot. As I played their video for Robbery, I instantly recall recording it. Yay!!! There's a whole lot of wonder to sift through, and anticipate. Kodacrome has made a fan out of me.

Zig

Unicycle Loves You

I'm so late for this train, but better now than never. In deliberately seeking out and listening to the female voice, I sometimes overlook male singers. You see, I built this calcified filter that tunes out the male voice....with notable exceptions. And so noteworthy to me are the ones that get past it, this filter. Before ever seeing them live, I remember a video for Unicycle Loves You where I believe Nicole the bassist sings. I loved her voice, but what endeared me to this band was that she wore a Walking Bicycles shirt in the video. It's a nice curiosity when they wear a band shirt that you have or like a lot.....but I know these guys....and I didn't know they made shirts. The point being that the bands are small enough for this notice to be of some significance, a little more than wearing a Bauhaus shirt at a Siouxsie show. There was always something impacting about ULY that at first has nothing to with the music, and if it were not for these things I would have missed out. A moment stolen from someone cooler. It's great to see them share the Empty Bottle stage with Lightfoils. They performed from their new CD "Failures". Before I forget they were also featured on NPR. These guys can sell me on almost everything. It's often there where I find out about bands. It's the second time they take the train behind me. So I hear the interview and I'm totally sold before buying it. And I will buy it. For now I'm glad for all who steered me in their direction. I took a lot of pictures....mostly of Nicole. What? Anyway, while I chew on the music and search for the most recent pictures here are some from the first time.

Lightfoils

These here are when I first saw them at Darkroom I think at some festival Scary Lady Sarah had.
I would post pictures of the rest of the band but Ms Nicole here is much too pretty.




The Empty Bottle had a Free Monday this 13th February. Unicycle Loves You and Lightfoils both releasing new music on that day. Unicycle I shall write on a separate post. I'm somewhat more familiar with Lightfoils as I have seen them twice before. They are in that oddly woven web of local shoegaze that includes Rosen Association, Panda Riot, architecture, and the now defunct bliss.city.east. I just noticed while researching what other names come up in relation to Lightfoils. It's an active point on the local constellation. But also this pantheon I personally listen to. I've seen around casually. It's important to note how the shoegaze tag holds. Cory who plays bass is way cool. It's also that local thing.

Nationally, if you are into WarPaint (L.A., Echo Park) and School Of Seven Bells (Brooklyn) and cannot get enough, tighten your focus on the Midwest, and Lightfoils is one to discover. I think they will be touring. I was too broke at the time to buy their CD so my impressions will be based on what you can hear on their facebook page, and barely catching the Monday gig. They will be re-releasing the EP on Saint Marie Records. You can still see Lightfoils in the small clubs, and they are going to SXSW. The band is relatively young, since 2010. But individual members are veteran musicians....like Cory. It's just far easier to write about the band when you have the CD but I couldn't wait for that.

It fascinates me to no end that living somewhere else I don't get that immediate direct exposure of this music. ......Oh yes, I was going on about Lightfoils. Off the top of my head the two songs on the facebook page remind me of the Projekt band Mira only with less of that brooding weight. That works well for Mira, and I listen to them a lot but I don't listen to Lightfoils because I need to be pulled out of a meandering fog. The landscape they map is in the clouds.

On that Free Monday they played like it was a weekend. There were so many local musicians in the audience at Empty Bottle it was like a local industry night. My Gold Mask, Walking Bicycles.....the Bottle is a major hub that casually brings in all kinds of local bands, all brilliant. Last Monday night was not a shoegaze theme night, and such named genres do not limit the bands to only play to a narrow audience. Calling Lightfoils shoegaze in no way limits their potential audience. Perhaps because the genre has a naturally occurring wider appeal...at least for me. Subcultures have this way of spicing up the music they claim as their own, a way of telegraphing what music may sound like in the future. They are the ones to hold the fort down while you off following your inconstant fancy. They are....we are the ones who give you that funny look when you put shoegaze and comeback in the same sentence.

Kaspar-Zig