Ringo Death Star

It felt like a long time since I've seen Ringo Death Star. Awesome name for a band. This was my first time. I think it was for a mid-week shoegaze fest that Scary Lady Sarah had at Darkroom. My friend Philly Peroxide or Scary Lady Sarah posted a song from them at The Shoegaze Collective. I believe the song was "Summertime". I loved the song but when you have withering funds, you don't even want to window shop, but there they are on my radar, and then there I was in front of them. They were promoting the CD Colour Trip. Well, at least that's what I came home with. Even as I researched them my first impression is still this live performance. I did not share in the anticipation that my friends had for them. It was just so apparent I had to trust in their word, in their natural enthusiasm. I said shoegaze right? They were loud and had the engine of punk. But not the anger. In retrospect RDS remind me of Asobi Seksu only with a breathy male vocalist. I gotta say this, the bass player Alex was lovely. She sang as well. So there I am in front of her, and I'm really digging the band. They bring that wonder that naturally comes with the gray fog of shoegaze only they don't just walk you through it, casually, aimlessly. There is an urgent force driving you through that fog. Live, you would not know this as shoegaze. Such bands usually don't inspire mosh-pits but Ringo Death Star did....alright with two, three people. They even let some of the audience play the guitar. Normally this looks like the show is devolving out of control, the band goofing off and all. But apparently they knew what they were doing, and were in full control of their performance.

Austra

So on the weekend of Pitchfork I saw Austra for the first time at Empty Bottle. They are this dark-sounding electro band. Wait, Wait.....I said Empty Bottle. Their darkness is incidental and not deliberate so as to not scare off the indy crowd. They are but one Bauhaus shirt away from being a goth-electro band and that would almost put us all in Darkroom. They weren't taking their chances. The two back up singers were roughly dressed alike. The one closest to me appeared to have this unibrow but it's just her make up. My gaze kept steering towards her, because that struck me as so Frida Kahlo. I liked how she danced. She had real stage presence. There is something that feels original about Austra. Lyrics are thoughtful and thought provoking. You can just take out certain phrases as sound bites, but that's for later when you got the CD and lyrics to read. Perfect for goth-clubbing. I mean this is something Neo can really abuse. Very electronic sounding and yet I see all these conventional instruments. Still I'm no musician. The lead singer Katie Stelmanis I assume had this way of dancing. Her hands moved like a witch conjuring something scary from ......something more scary. She wore this gold thing. The crowd was huge for them but I don't recall anyone dancing. I'm still working through the songs. I'd rather post the pictures now rather than wait for the words to describe them to come out.

Salem Bitch Trials

So last Thursday 21 July I saw Salem Bitch Trials, a local riot grrl inspired female-fronted punk band on a mission. They played the fourth floor in this place called Multikulti near the corner of Augusta and Milwaukee. I missed them this one time at Reggies, so it was a mission for me to see them this time. At Reggies I bought the music and shirt and that compelled me to go on time to this gig. SBT is awesome. I'll write more on them as I collect the words.

They are about the message, the mission as much about the music. It was not my intention to use alliteration...sorry. Right from the name Salem Bitch Trials you know the band exists because they see something wrong with the world and they intend to see this wrong corrected. OK, now I'm gone.

Staring Problem

As I listened on the ipod and became familiar with their music, I felt the sting of missing them that one Wednesday night at Whistler. The void of that moment you fill with an idealized portrait, made more vivid for being absent for it. Well I didn't entirely miss Staring Problem. I bought the tape and downloaded their music, got two pictures of the band. Between then and this time at Ultra I was becoming this fan of Staring Problem. It wasn't just me seeking songs out on the ipod. The songs play randomly in my head as well. Tegnology got my attention first, but now it's more. And each song strikes differently it's own resonant imprint without sounding too familiar. That's the thing. It has to be familiar for it to resonate to begin with....most of the time. And they have their influences. But it does not feel like they are treading too closely to them. They have just the right sense of urgency in the bass. Urgency that is expressed fast or slow, balanced with a casual vocal delivery.

Its a wonder for me to see this live in a small place. Staring Problem is from Carbondale, Il. I'm always curious about where a band comes from because I see them as perhaps indicative of what can exist there. So this makes me curious about Carbondale. In researching the band I ran into a little something about Carbondale. That they have one of the oldest "basement scenes". Instantly I want to spend a week there just to know that for myself.

I noticed how Pictures Of Morrissey In Jake's Locker was a little faster live, as if they saved a little something for the live dynamic performance. I didn't notice anyone dancing that night at Ultra, but everyone seemed concentrated on them. This is the kind of post-punk( if I may call it that) does induce movement. Empty Bottle material. Goth-club material. This is something goths can dance to, something we can assume as our own. I notice how gender neutral Lauren's voice....feels to me, not sounds...feels. How do I explain that? It's not that ....girly sounding. Having said that. I do like "girly", but that is not what I find here. A feminine voice yes, and fronting a band that gets comparisons to Interpol on youtube. It's noteworthy the calls to tour Europe. I believe a female voice can indeed speak for a male point of view. Just listen to Anna Calvi sing "I'll Be Your Man". It totally works.

So I walk into Ultra Lounge knowing who I will see. The place is bigger than Whistler. It's divided into two rooms. It was my first time there. This place Ultra Lounge is within walking distance of other venues I've been in. Its on Milwaukee Ave close to Whistler and Coles. The Congress is also right there. Well, Ultra is the one closest to Congress. I actually liked the band before them but that's for another post. There was a good, attentive crowd. I noticed right away the Depeche Mode T-shirt on Lauren(?). I had this shirt years ago. It is no common high school relic. It represents an influential band during an impressionable time. So this DM shirt Lauren wears evokes some strong memories, what can I say. I wear band shirts all the time. I can't wear what I don't know or don't like...perhaps I'm just projecting.

Moritat

Moritat headlined this show with Pezzettino. So it's not that often when three musicians that you like are in the same room. I say three because I include Julie Meckler. She did not perform but her appearance is noteworthy for me. My expressionist-film dream-sets can cast these three together easily, sure, but it's nice to see the stars arrange themselves into the constellations we observe. I've always liked how Venus plays the keyboard. It's different from what I normally look for. Aleks/Eva, Kristeen Young, Amanda Palmer, these are keyboardists that are individually dramatic, over-the-top, aggressive and urgent to express their point. All this has the common link of wanting to be observed. The keyboard sounds from Moritat are relaxed and in no rush to tell you anything. The other bands build towers, Moritat builds you a finished basement. The keyboard is deep, relaxed but not boring or slow and lethargic. So the music catches your attention without seeming to want it. That is how Moritat has hooked me with a lot of their songs. And yes Venus does indeed play guitar. If you follow the band you know that her comfort level is with the keyboard. She learns the guitar well. I'm just a fan what do you expect me to say. It's like PJ Harvey suddenly wanting to play guitar.

Moritat and Pezz!

It's not all the time when music that plays in the mind all the time. Bands that only seem to share space in your head, in a dream you half remember suddenly scheduled to play a venue...in real life is awesome. This text can easy come off like a dream, only we are removing the characters from the Magical-Realist/Expressionist film sets of my mind and on the stage at Double Door. Pezzettino and Moritat in the same night. With Julie Meckler in the audience. I always see Julie at a Moritat show. She is friends with Venus the singer/keyboardist. When you know the musicians in the room you see the potential for cross-influencing. I'm a civilian. The most out of me is I'll buy merch when I can afford it. Which is enough for me. Margaret Stutt is originally from Milwaukee. She plays accordion. I've known of her since...at least 2008. I've been to many of her shows. Her lyrics are direct like dialogue to a play, they paint a picture with what is left unsaid like in Walk From Here from the CD Lion. She expresses her righteous anger and then pulls over and dumps the guy out. What is left unsaid, that she maybe driving a car. Pezzettino turns around what can be awkward situations into your most articulate moments. Her finesse is in counter-punching. A common arch is the point of view of one who is wronged somehow and so when live her flashes of anger, sadness, seem raw and unrehearsed. These flashes the blues it took to write her songs. The tax to her heart. When Pezz visits these powerful moments, she does not seem to shield herself with an articulated, polished front. Lyrics hit her and you see it, and you feel what ever she tells you to feel, because now you are included in the moment. She played a lot of new unrecorded material. I don't recall much from Lion. Some old songs were retouched. Pezzettino...Margaret also plays keyboard and for some shows I've seen her play a xylophone. Not for this night, but it's worthy to mention her capacity. I'll post on Moritat Next.

The Rosen Association

Ah, how different the world was to me when I first saw them at Mutiny two years ago. So I saw this band again during Scary Lady Sarah's midweek shoegaze fest. Darkroom is no stranger to The Rosen Association. Any chance I get to see these guys in a small venue I take it. They are scheduled next to play The Whistler in July, another tight squeeze. You see a band under a certain tag like shoegaze and you perhaps filter out those that are repulsed by the description or even just the term. But you concentrate the fans that you have. And I saw a lot of people for Rosen. There is a certain bunch of goths that will go to industrial, goth, shoegaze, dark, indy stuff. They see the same big picture that I have, I believe. The thing about the name shoegaze is that it does not attract goths alone. It gets the people that don't normally go to a goth/industrial/deathrock event. And thats cool. Friends of mine from Panda Riot were there. I've been running into them a lot as of late. They've been busy too. Oh yeah, we are on Rosen Association. The big difference is that now I have the merch, the shirt, the download. The familiarity you get when you can take the music with you makes seeing them live a different experience. More pictures, less video. I tend to soak up the experience more than documenting them with video. I must have seen them at Darkroom three times. So what can I say on them? This band had support from the crowd. We goths love to dance, and we love to support our bands. So we danced as they played the songs we anticipated and a new song. "Emergency Broadcast", and "Drones" are great to dance to. Rosen is more on the electronic end of the shoegaze continuum. Well, maybe I'm just thinking that because Erin plays keyboard........wait, her name is Rachel? Since when? I've been calling her the wrong fucking name? How embarrassing!